Writer/director James Gunn’s Guardians of the Galaxy is a stunning film full of brilliant creative energy and spirit, but there is one specific reason it continues to stand out in audiences’ minds after three years: the characters. More than just falling in love with the Guardians of the Galaxy blockbuster, movie-goers fell in love with the Guardians of the Galaxy team — connecting with this group of ridiculous misfits who manage to find each other and become a dysfunctional family.
Reminiscent of The Empire Strikes Back in the way in which it breaks up the characters and only utilizes a handful of settings (albeit while telling a complete story), Guardians of the Galaxy Vol. 2 is simply structured with dual plot narratives, but they’re properly harnessed to really get the most out of the entire fantastic ensemble. A huge part of this is the way in which James Gunn pairs each of his protagonists, as the groupings all have special ways of advancing the distinct arcs — whether the relationships are affable or hostile.
James Gunn effectively shut down critics complaining about cookie cutter comic book movies with his authentically auteur-driven Guardians of the Galaxy in 2014, and blasted the blockbuster world with a burst of fresh air that effectively altered the industry in the years since. Being a sequel, Guardians of the Galaxy Vol. 2 was never going to have that full effect, but it does still feel remarkably different, while also reminding audiences why they fell head over heels the first time.
Though its scope doesn’t including the cosmic breadth of the first movie, Guardians of the Galaxy Vol. 2 is still intensely beautiful and aesthetically inventive — particularly in its use of color (very much a highlight of the original as well). Parents need to know that Guardians of the Galaxy Vol. 2 continues the adventures of Marvel’s motley group of space outlaws first introduced in the smash hit Gaurdians of the Galaxy Expect lots of interest from kids of all ages, but it’s most appropriate for teens and up. There’s frequent fighting with weapons (swords, guns, and more), space chases/battles, executions that involve people being “spaced”, etc and more.
The Grammy-winning Pitbull released his 10th album, Climate Change, in March. He has 70 million single sales and 6 million album sales in his career, and is co-headlining his next tour with Enrique Iglesias beginning in June. In July, resumes his Vegas residency at the Axis at Planet Hollywood.
On top of that, His Honey I’m Home production company has co-produced Pitbull’s New Year’s Revolution three consecutive yearss with Endomol Shine North America for fox, and he oversees programming for the Pitbull’s Globalization channel on SiriusXM
WME will also play an integral role as Pitbull, mentored by Tony Robbins, takes his motivation speaking platform global!
His tenth album, “Climate Change”, was released in March, and just this past Sunday, he appeared on the MTV Movie and TV Awards performing “Hey Ma,” with Colombian star J Blavin and Cuban-American singer Camila Cabella, from “The Fate of the Furios: The Album” soundtrack on Artist Publishing Group, Atlantic Records and Universal Music Group.
WME will work with Pitbull to continue his ventures in music and beyond, including raising his global profile as a motivational speaker.
The multi-platinum Mr. Worldwide was previously with CAA.read more – CLICK HERE
Well THIS is a sudden shift, He wants to be a Rock star??
Styles more or less holds his own in these aggro moments, but his rock remains at its best with a little pop in it.
The singer himself benefits from striding bravely into territory that’s rarely represented in today’s mainstream. We aren’t just lacking for teen idols-turned-rock stars, we’re lacking for rock stars in general. The throne is empty, so Harry Styles might as well keep it warm for a while.
One Direction’s fans have grown up” NME wrote, and “Harry’s music has too.” Buzzfeed announced that “Harry Styles Isn’t Following The Pop Star Playbook”, while Stereogum headlined their review “Harry Styles, Prince Of Pop, Takes A Stab At Rock Stardom”, opening with “Here’s a sign of the times for you: The most famous member of the world’s leading boy band is trying to become a rock star”. The Telegraph”s review found the departure so stark that it offered the following intensely patronizing speculation: “It is so old-fashioned it may actually come across as something new to its target audience. After all, most One Direction fans wouldn’t even have been twinkles in their parents’ eyes when this kind of ragged confection was all the rage.” Because, tragically, society has still not discovered a way to make music from the past available to modern ears.
Here’s a sign of the times for you: The most famous member of the world’s leading boy band is trying to become a rock star. – source
How much more fun could this be? Deadpool, Donald and FX — the perfect fit for the Merc with the Mouth! We’re thrilled that our relationship with FX that started with Legion continues with what is sure to be a groundbreaking show in adult animation.
Donald Glover is an incredibly gifted and versatile artist who’ll bring the untitled Marvel’s Deadpool series to life with the same intense, singular vision as his breakout hit Atlanta. It was previously announced the actor/singer would be making projects for FX, but we didn’t know he planned to bring this much heat!
Source link below!
FX and Donald Glover are expanding their respective relationships with Marvel. More » – source
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After teasing fans, The National have announced that they will release their seventh studio album, which will be entitled “Sleep Well Beast,” on September 8th.
For the past few days, the band teased fans with mysterious clips on social media about the new studio effort with posts that included phrase “The System Only Dreams in Total Darkness.”
After some teasing over the last couple days, we finally have official word: The National are putting out a new album called Sleep Well Beast on 9/8. A Twitter user points out that posters have started to pop up in select cities advertising the album – source